![supercollider song supercollider song](http://www.photoshelter.com/img-get/I00008EaAjZTDxTs/s/700/1051/Radiohead-DC-17.jpg)
This is more or less correct, but in fact you ears don't work in an exactly linear way. When the amplitude of the signal is set to 0.5, you might expect the sound to be half the volume. We normally take +/- 1 as the maximum amplitude the sound hardware can create, and so this will be the loudest sound you can get from a particular set of speakers on a particular volume setting.
![supercollider song supercollider song](https://www.justfortherecord.co.nz/assets/Images/Albums/Megadeth_____Sup_55cfca2e97405.jpg)
However, the scale is relative, because the actual volume of the sound depends on what type of speakers or headphones are connected, and the volume setting on your computer. The amplitude affects the volume of the signal (the is, how loud it sounds). The signal below has an amplitude of 0.5: The signal in the graph above has a maximum value of 1, and a minimum value of -1, so we say it has an amplitude of 1 (the furthest is swings above or below zero is one unit either way). Next we will look at the three main characteristics of a simple wave - the amplitude, the frequency (or pitch), and the wave shape.
SUPERCOLLIDER SONG FULL
Whenever you want to stop the sound, press Ctrl-Period (the Control key plus the period, or full stop, key. play tells SuperCollider to play the sound. To a control signal which we will cover later). ar is a function that creates an audio signal (as opposed What does this do? SinOsc is a type of object that creates a sine wave. To make the sound play, position the cursor anywhere on the line, and press Ctrl-Enter (hold down the Control key and press the Enter key). Take care if you are using headphones, the sound from SuperCoillider can sometimes be louder than expected. Wait a few seconds until the messagesĪppear to show that the server is running. Start up SuperCollider as described earlier.ĭon't forget to start the server - the Language|Boot server menu option, or use Ctrl-B if you prefer. It is called a sine wave because it is based on the mathematical sine function (the same function used to calculate the ratio of sides in a triangle). Sine wavesĪ sine wave is the purest musical sound - it contains a single frequency with no extra harmonics.
SUPERCOLLIDER SONG HOW TO
Here we will look at some of the functions used, and how to create them in SuperCollider.
![supercollider song supercollider song](https://cdn.mos.cms.futurecdn.net/0c1e0abc4cb58b80dbc8b45292fc79cc-1200-80.jpg)
The simplest sound functions generate pure tones - a single, unvarying musical note. The concluding "Primary" may well be the most conventional of all the songs in ways - a line of descent from Joy Division via a hint of early U2 is clear - but as before it's the careful, calm arrangement that shows this is Supercollider's song, a lovely fragility.In computer music, we often generate sound waves using mathematical functions. Horton's obsessive repeating of the final syllable of the song title in "Aluminum," whether chopped up and looped or spoken, becomes an eerily beautiful mantra, while the piano of "Pedestrian" adds a sweet, strange beauty reminiscent of Colin Newman's early-'80s work. Slower songs gave both players a chance to show even more ability and variety, finding a hard-to-describe balance between tension and a strange calm. Horton's guitar overdubs on "Supercollider" itself, the album's sole instrumental, are masterpieces of atmosphere as obsessive speed - Haut doesn't even drum on it - while the jauntiness/reflectiveness juxtaposition of "Sooner" makes it a standout. The sampler the duo used - which rather than filling out the mix was used to create the core notes and patterns Horton and Haut played around and with - is the secret weapon, used beautifully. Vague parallels could be suggested with the similar maximum/minimum approach of Krautrock bands like Can or Neu!, but there isn't any connection in terms of the sound. But instead of reflective dreaminess, there was power without explosion here - guitars were played as punchy pulse-making instruments, setting rhythms and shifting moods rather than playing conventional melodies. Michael Horton's higher-pitched speak-singing voice and less-is-more guitar playing suggested a more wired-up version of Vini Reilly of the Durutti Column, a comparison slightly heightened by the drums of Phillip Haut here and there. From its minimal start, Supercollider's debut showcases a band that was happily and completely out of sync with almost everything around it - nothing in American pop and rock music of 1991 sounded anything like it, much less the indie music scene it was part of by default.